11 January, 2018

notes on winters bone

Alternative opening - Black and white, focus on animals

Debra Granik : Background
Made educational films for trade unions after graduation from Brandeis university
Attended NYU graduate film program and made short, Snake feed, which gained her entrance into Sundance screenwriting and directing labs
Reworked Snake Feed into first feature, Down to the Bone, story of mother attempting to overcome drug addiction

From down to the bone to winters bone
Granik and writing partner Ann Rossellini were given a pre publication copy of the book, winters bone
Seen as a mythical quest or fairy tale as Ree has to bring back a trophy of her courage

Granicks process
Uses organic, instrumental process that involves:
Video and photographic documentation of daily lives of several families in Missouri Ozarks
Collaboration with blend of professional actors, regional actors, local non- actors, etc.
Location shooting that incorporates elements of environment

Graniks style
Neo – realistic, documentary-like style
No marks for actors, camera moves around with them
Removing standard filmmaking accessories as much as possible (lighting interiors from outside, for example)

Winters bone production
Two year production to find and secure locations
25 day shoot
$2 million budget
Relesed mid 2010, winters bone was a deserved sleeper hit bolsterd by extremly posotice reviews and word of mouth.
Rebecca hofherr was costume designer for WB. Her brief shaped by director Granik’s commitment to believability and an extremely tight budget of $5,500; she created a realistic, memorable look of lived in denim, motif fleece sweaters and padded check shirts….
Screened at Sundance winning grand jury price for dramatic film and best screenplay awards
Distributor roadside attractions purchase us distribution rights

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